Talking Writing is a nonprofit digital magazine that features essays, first-person journalism, poetry, and visual art.

At TW, we care about writing that's honest, personal, and a joy to read—and we seek writers with diverse backgrounds, strong voices, and a commitment to words that impact the world. Please visit to get a sense of the magazine's style and TW's eclectic mix of journalism and literature.

  • Theme Essays and Features: Each issue of Talking Writing has a theme—such as "Borders" or "Writing and Faith"—and we're always looking for short essays or features for TW's upcoming themes. When submissions are open, entry details will appear in the listings below. Theme categories with the tightest deadlines appear at the top.

  • Annual Poetry Spotlight: Every year, TW's spring issue highlights a specific theme, such as math poetry or "Honoring Muriel Rukeyser." During that issue cycle, we publish six or more poets for the spotlight theme. When submissions are open for spotlight poems, entry details will appear in the listings below.

  • Contests: TW awards one or two annual writing prizes, with the categories changing each year. During the contest periods, entry details appear in the listings below.

  • Other TW Pieces: For information about submitting "Why I Write" essays, cartoons, and other kinds of features with rolling deadlines, see the full list of categories below.

General Submission Guidelines

Queries and simultaneous submissions are welcome, but please tell us in your cover message if your work is also being considered elsewhere and notify us if it is accepted.

Upload each submission as a separate file in Word, PDF, or RTF format. Make sure your draft is easy to read.

For nonfiction essays and features, be sure to include complete references for any direct quotes you cite or factual information you include.

Submission Fees

The submission ($3) and contest ($15) fees partially offset our administrative costs. TW has limited editorial resources and a small budget. While we’re aware that submitting payments online is difficult for some writers, managing submissions online helps us to keep publishing.

There are no submission fees for comics, visual art, and queries. Ask away!

"The pages are still blank, but there is a miraculous feeling of the words being there, written in invisible ink and clamoring to become visible." — Vladimir Nabokov, Lectures on Literature

A big part of TW's nonprofit mission is to promote first-person journalism—nonfiction work that melds journalistic rigor with the kind of personal voice usually associated with literary memoir. The challenge is to let readers know who your "I" is while also referring to factual information and clearly attributing all your sources.

For this category, we're looking for directly observed first-person reports on the world around you. Whether it's a verbal snapshot of your neighborhood, a larger event, a specific cultural site, or the natural world, we invite you to record, accurately convey, and interpret what you observe. Feel free to query us first about your report. Word count: 500 to 1,500 words.
Dear [fill in the blank]. If you had five minutes with a tech tycoon or famous author, what would you say? After the popularity of TW's Fall 2016 issue, which included open letters to everyone from Rupert Murdoch to Taylor Swift, we'd like to see more.

The idea is to confront powerful and public people with decisions they've made, things they've said, and different perspectives. Open letters can imagine all sorts of things, but make sure to include your sources for any factual information—and no political candidates or elected officials, please.

eel free to query us first about a subject for your letter. Word count: 800 to 1,200.

TW publishes first-person journalism—features told from the first-person POV of varying lengths, many of which are think pieces about books, movies, well-known authors, literary and cultural trends, or teaching writing. While we publish very few straightforward book reviews in the magazine, we're interested in the personal connections that readers (and writers) make to books and authors.

"Featured Debate" and other TW opinion pieces often focus on the continuing transformation of media and the impact of digital literature. We encourage many different points of view—the more provocative, the better. We ask that a writer’s approach be personal, passionate, and factually accurate. Please avoid an overly academic tone.

In addition, we're always looking for thoughtful essays on our themes. For more information, please see TW's Upcoming Themes.


TW publishes short essays that address the essential question for writers: Why write?

TW features occasional comics in its issues. Submissions may be ongoing strips, single cartoons, or excerpts from graphic novels. We enjoy meta takes on storytelling, witty puns, and sheer goofiness. ("Zippy the Pinhead" is an old favorite of one TW editor.) We like comics about literary authors and culture—and often look for a connection to one of our quarterly themes. Please do not submit political cartoons.

Send up to 3 images (no more than 1 Mb in total).

TW features the work of a visual artist or photographer in each issue. We also use spot art from a variety of sources. Please submit up to three images (1 Mb total for all images).

Submit queries or pitches for theme essays, if you want feedback about whether an idea will work for TW.

You can also query us about anything you think we might be interested in that doesn't fit the standard categories, such as reviews of particular books, ideas for new columns, or interviews with writers. See TW's Submissions page for more information.

Please enter your query (up to 500 words) in the "cover letter" field of the submission form.